It's been a while—there's a new Gate LP out this August, on the Ba Da Bing! label.
After a few initial listens to a pre-release version, I'm kind of sold on it. It's a cleaner sound than a lot of the earlier releases, but the vocals might be the weak point here. Morley doesn't have the strongest of voices, and here, with his voice not as obscured/blended by the murkiness of the sound (as on say The Dew Line) you're a lot more aware of this. Still, some good sound construction at work here; if you've spent any time with his other music you should "get" it.
Here's the label blurb:
The first new Gate record in over a decade, A Republic of Sadness is as much a reason for celebration as indoctrination into the creative genius of Michael Morley. Known primarily for his work in The Dead C, Morley simultaneously has been doing Gate since he's started playing.
A Republic of Sadness comprises the apex of Morley's various interests in one collection. His guitar and vocal drones permeate through looped beats and sounds, arriving at a sound that is not quite dance, not quite noise, not quite electronica and never, ever ambient.